Song's Chinese Cuisine
restaurant
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Guangzhou, China
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Architects: Republic Metropolis Architecture
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Area: 2280 square meters
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Year: 2018
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Photos: Jack Chen | RAM, Kaijian Lee
Text description provided by the architects. "Crane fortune map" ancient books recorded: On the second day of the Lantern Festival in the second year of the Northern Song Dynasty, suddenly the sky above the capital, clouds floated, and cranes flew over the palace. They floated for a long time and refused to leave. The two cranes fell on the two long kisses on the left and right sides of the palace. The people who attracted the imperial palace were amazed. People on the road stopped to watch what it seemed. . It seems to be crying out for something, and it doesn't spread over time. Later fly to the northwest.
Song's Chinese Cuisine uses modern materials and design methods to interpret Chinese restaurants. 100,000 heterosexual stainless steel bricks and 400,000 colorful feathers make up the basic shape of Song's Restaurant. The curved shape of the surface breaks the imagination of the Chinese restaurant and creates a unique spatial experience.
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As guests stroll through the restaurant, the space gradually narrows; It can be in close contact with the feathers, and the feathers molded in high temperature slide on the fingertips. Its soft feathers leave a residual temperature in our hands, and its touch makes us sample everything we've tried, one soft and one firm, smart, and brilliant. Stainless steel brick wall, smooth, solid, smooth; The collage's brick floor has traces of years of rubbing, and the spattered object makes the interior lively.
The modern details and details selected by Song's Restaurant reveal the pursuit of absolute atmosphere and taste, and can instantly appear to people, the appearance of the appearance, the image that appears to people immediately, the exit, the heart becomes clean and immersed. To appreciate the ancient cultural heritage.
This is where the experimenter takes shelter in the building, the building becomes a form that creates a place that is different from the interior and different from nature. People feel the sun and the breeze, but we're in the building again, that's my favorite feeling.
The fluidity of the film brings people to a narrative, and the flow of people in the architectural space also brings the continuity of the dynamic space experience. To some extent, it is also a narrative and constitutes a unique spatial experience.